Ken Babstock. Who knew?



Methodist Hatchet
by Ken Babstock
House of Anansi
ISBN: 9780887842931
Trade paperback
112 pages
Poetry
$22.95 CDN

About a week ago a friend sent me a link to a review about her cousin, the poet, and his latest release, Methodist Hatchet. Now, this was not the first time my friend had mentioned this fellow, so I figured it was time to spend a little time with his writing.

The Globe and Mail wrote Brainy, beautiful, brilliant. That’s Ken Babstock’s verse.

An anonymous critic wrote back to the Globe and Mail and said that Babstock’s techniques are really just linguistic pyrotechnics designed to keep a reader flummoxed, at a distance, and properly impressed.

The Edmonton Journal proclaimed that reading Ken Babstock is like following the trunk of a tree upward as it divides and subdivides, fraying into the finest threads until a beautiful but complex circuitry webs the sky. Simply put, he makes the brain hurt, forcing us to exert that dusty 90 per cent we rarely use.

Interesting. Next, I read all the poems I could find online over the space of about 1/2 hour. It was quite plain to me that Ken Babstock poems were not my kind of poems. I write poetry and read poetry that I consider more approachable. End of topic.

I’m not that lucky. My friend had been very polite about my reaction to Babstock’s poetry. So, who knew?

Ken Babstock is the author of three previous collections of poetry, including Airstream Land Yacht, which was a finalist for the Griffin Poetry Prize, a finalist for the Governor General’s Literary Award, won the Trillium Book Award, and was a Globe and Mail Top 100 book.

Time called his first book one of the best things to happen to poetry in Canada; the Globe and Mail said his last book was perhaps the most important poetry book yet from any Canadian born in the 1970s or beyond.

Some call Ken Babstock the best Canadian poet of his generation. Others call him King. In general, he seems to be considered one of the most exciting lyric poets writing today. I think, maybe, I will spend some more time with this fellow’s poetry.

Copyright, Clayton Clifford Bye, 2011

American Rendering, Poetry

Hardcover: 240 pages; Publisher: Houghton Mifflin Harcourt (April 12, 2010); Language: English; ISBN-10: 0547249624; ISBN-13: 978-0547249629; Product Dimensions: 9.1 x 6.2 x 0.9 inches

You can buy American Rendering: New and Selected Poems at Amazon.com

“Hudgins’s eighth collection and first retrospective confirms him as one of the few poets of the American South who can be both solemn and sidesplitting in a single poem.” –Publishers Weekly

American Rendering showcases twenty-four new poems as well as a generous selection from Andrew Hudgins’s six previous volumes, spanning a distinguished career of more than twenty-five years.

Hudgins, who was born in Texas and spent most of his childhood in the South, is a lively and prolific poet who draws on his vivid Southern and,more specifically, Southern Baptist, childhood. Influenced by writers such as John Crowe Ransom,William Faulkner, Flannery O’Connor, and James Dickey, Hudgins has developed a distinctively descriptive form of the Southern Gothic imagination. His poems are rich with religious allusions, irreverent humor, and at times are inflected with a dark and violent eroticism.Of Hudgins’s most recent collection, Ecstatic in the Poison, Mark Strand wrote: “[It] is full of intelligence, vitality, and grace. And there is a beautiful oddness about it.Dark moments seem charged with an eerie luminosity and the most humdrum events assume a startling lyric intensity. A deep resonant humor is everywhere, and everywhere amazing.”

You can buy American Rendering: New and Selected Poems at Amazon.com

The Common Man

by Maurice Manning

ISBN-13/EAN: 9780547249612 ; $22.00; ISBN-10: 0547249616; Hardcover ; 112 pages; Publication Date: 04/09/2010; Trim Size: 6.00 x 9.00

Buy “The Common Man” from Amazon.com

ABOUT THIS POETRY BOOK

The Common Man, Maurice Manning’s fourth collection, is a series of ballad-like narratives, set down in loose, unrhymed iambic tetrameter, that honors the strange beauty of the Kentucky mountain country he knew as a child, as well as the idiosyncratic adventures and personalities of the oldtimers who were his neighbors, friends, and family. Playing off the book’s title, Manning demonstrates that no one is common or simple. Instead, he creates a detailed, complex, and poignant portrait–by turns serious and hilarious, philosophical and speculative, but ultimately tragic–of a fast-disappearing aspect of American culture. The Common Man‘s accessibility and its enthusiastic and sincere charms make it the perfect antidote to the glib ironies that characterize much contemporary American verse. It will also help to strengthen Manning’s reputation as one of his generation’s most important and original voices.

ABOUT THE POET

MAURICE MANNING, the author of four collections of poetry, was awarded the 2009 Hanes Poetry Award from the Fellowship of Southern Writers. His first book, Lawrence Booth’s Book of Visions, was selected by W. S. Merwin for the Yale Series of Younger Poets. Manning, a former writing fellow at the Fine Arts Work Center in Provincetown, Massachusetts, teaches at Indiana University and Warren Wilson College.